HomeTravel & PlacesHeritage & MonumentsJogimara Caves, Chhattisgarh: ancient painted cave guide

Jogimara Caves, Chhattisgarh: ancient painted cave guide

The Jogimara Caves, on the Ramgarh hill in Surguja district, Chhattisgarh, hold what scholars describe as some of the oldest surviving painted murals in India, together with a short Brahmi inscription in an early Prakrit. The cave is protected by the Archaeological Survey of India (ASI) as a monument of national importance. This guide keeps its focus on Jogimara itself, separates verified fact from disputed reading, and shows how to fold a visit into a wider Chhattisgarh trip.

The Jogimara Caves sit on the north face of Ramgarh hill in Surguja district, Chhattisgarh, about 45 km from Ambikapur. The cave is best known for faded ceiling frescoes and a five-line Brahmi inscription in Magadhi Prakrit, both commonly dated on palaeographic grounds to around the 3rd–2nd century BCE.

Key takeaways

  • Jogimara is listed by the ASI as monument N-CT-38 (“Jogimara Caves”, Ramgarh hill, Surguja) under the Raipur Circle, while the adjacent Sitabenga cave is a separate monument, N-CT-37.
  • The cave carries a five-line inscription in Brahmi script and Magadhi Prakrit; Richard Salomon’s palaeographic analysis points to about the 3rd century BCE, and translations by Bloch and later scholars remain disputed.
  • Its ceiling murals, painted on a white lime ground in red, yellow and black, are often called among the oldest surviving frescoes in India; they are now badly faded and only fragments remain.
  • The site lies about 45 km from Ambikapur, roughly 180 km from Bilaspur, reached off the Ambikapur–Bilaspur road and a short stone-paved trail; the nearest railhead is Ambikapur.
  • No entry fee or ticket counter is published for the caves as of October 2026, and no inner-line or special permit applies to Surguja; reconfirm access locally before travelling.

About the Jogimara Caves

The Jogimara Caves are a small rock-cut chamber on the northern side of Ramgarh hill, in Surguja district, Chhattisgarh, carrying painted ceiling murals and a Brahmi inscription. On first mention the place is worth pinning down: Ramgarh (also called Ramgiri) is a sandstone hill near Puta village, on the Ambikapur–Bilaspur road, and it holds two linked caves — Jogimara and Sitabenga — along a short hillside trail.

The chamber itself is modest. Early survey accounts describe a natural cave adapted and dressed so that people could climb in and sit, measuring roughly 15 by 12 feet with an interior height a little over 6 feet. The painted surface on the ceiling is smaller, about 9 feet by 7 feet. Visitor platforms and railings have since been added to help people view the roof.

What makes Jogimara matter is its age and its combination of word and image: an early inscription and early painting in one place. According to the ASI’s list of monuments of national importance in Chhattisgarh, the cave is centrally protected as N-CT-38 and administered by the Raipur Circle. Ramgarh is also folded into Chhattisgarh’s Ram Van Gaman tourism circuit, which links places connected in tradition to the Ramayana; you can see where it fits in our Chhattisgarh travel guide.

Jogimara Caves — quick facts (as of October 2026)
Where North face of Ramgarh hill, near Puta village, Surguja district, Chhattisgarh
Nearest city Ambikapur (about 45 km)
ASI status Monument of national importance, N-CT-38, Raipur Circle
Known for Early ceiling frescoes and a five-line Brahmi inscription in Magadhi Prakrit
Dating Inscription palaeographically about 3rd–2nd century BCE; earliest paintings roughly contemporary (disputed)
Entry No published ticket or fee known; open hillside site, confirm access locally

The Brahmi inscription

Jogimara’s inscription is a short record of five lines cut in Brahmi script and written in Magadhi, a Prakrit (Middle Indo-Aryan) language. It sits on the southern wall near the entrance, below the painted ceiling; part of it is lost and several letters are eroded. According to the epigraphist Richard Salomon’s Indian Epigraphy, the letter forms point to roughly the 3rd century BCE, which places it among the earliest painted-cave inscriptions in the subcontinent.

Its meaning, however, is genuinely contested, and honest reporting has to say so. The inscription was published by Alexander Cunningham from J. D. Beglar’s photographs, and first studied in detail by Theodore Bloch in the ASI Annual Report for 1903–04. Bloch read it as a personal record involving a woman named Sutanuka and a man named Devadinna; different scholars have since translated the same lines in very different ways.

  • Theodore Bloch: Sutanuka, described as a devadasi, and Devadinna, called skilled in sculpture (or painting), who loved her.
  • Heinrich Lüders: a similar love reading, with Devadinna as a copyist or craftsman.
  • Hara Prasad Shastri: a love-themed text about a woman parted from her lover.
  • S. Settar and later scholars: a private record, with Devadina read as a craftsman linked to Varanasi, used to argue the hill was a resting place on a route.

The inscription is often cited as the oldest known occurrence of the word devadasi, but scholars caution that here it is probably a personal name, with no evidence linking it to temple dance. Treat any single romantic translation as one reading among several, not settled history.

The paintings on the ceiling

The paintings that make Jogimara famous are on the cave roof, laid out in panels on a prepared white lime ground. Early describers recorded pigments of red (two shades), yellow or gamboge, black and, in some accounts, brown and green; the figures were outlined in red and filled with colour. The painter and art historian Asit Kumar Haldar, who copied them for the ASI in the 1910s, noted that the style differs from the religious cave art of Ajanta.

The subjects, as read by Bloch, Vincent Smith and Haldar, include dancing figures and musicians, a seated person under a tree, an elephant, processions, a wheel or chaitya-window motifs, and a carriage drawn by horses. The exact count and reading of the panels is itself open to interpretation, and large portions are gone, so you should not expect clear, labelled scenes.

Scholars generally see two phases: an earlier layer, broadly contemporary with the inscription (variously placed from the 3rd to the 1st century BCE), and a later repainting many centuries afterwards, often judged cruder. John Marshall dated the first phase to around the 1st century BCE, a little later than the inscription. For this reason Jogimara is widely described as holding among the oldest surviving mural paintings in India — a claim best attributed to the scholars who make it rather than stated as a flat record.

The condition today is fragile. The murals are much deteriorated, with only fragments visible; dampness has eaten away whole areas, and some figures show only faintly. This is reason enough never to touch, wet or flash-light the surface.

Jogimara, Sitabenga and Ramgarh

Jogimara is one of two caves on Ramgarh hill, and it is easy to blur them, so it helps to keep them apart. Jogimara, on the south side of the hillside trail, is the painted cave with the five-line inscription; Sitabenga, to the north, is a separate ASI monument (N-CT-37) and a different kind of space.

  • Sitabenga cave: an oblong, stage-like rock-cut chamber with cut benches, which some scholars have called the oldest performance space on the Indian subcontinent. That theatre identification is disputed — other researchers read it as a rest shelter on a route — and it belongs to Sitabenga, not to Jogimara.
  • Ramgarh hill itself: the larger site, tied in local tradition and the Ram Van Gaman narrative to Rama’s exile, and also linked by some writers to the poet Kalidasa. These associations are tradition and legend, not documented history.
  • Same-name caution: there are other places called Ramgarh in India (for example in Jharkhand and Rajasthan); online route planners often point to those. This Ramgarh is the one in Surguja district, Chhattisgarh.

Keeping these straight matters because travel listings routinely merge Jogimara, Sitabenga and the hill into one entry. Where you see a confident “oldest theatre” claim, note that it describes Sitabenga, while Jogimara’s fame rests on its paintings and inscription.

Best time to visit

The comfortable window is roughly October to February, when Surguja’s heat eases and the hill trail is dry. Chhattisgarh summers are hot, and the monsoon makes the rock-cut path and hill slopes slippery. Aim for daylight hours and avoid the wet middle of the day in the rains.

Season guide for a Jogimara and Surguja visit (general climate pattern)
Season Months What to expect
Winter Oct–Feb Best for the hill walk; cool mornings, pleasant days. Carry a light layer in December–January.
Summer Mar–Jun Hot and dry; start early and avoid midday exposure on the open hillside.
Monsoon Jul–Sep Green and dramatic, but wet, slick rock and leafy approaches; firm footwear and caution needed.

For viewing the faded ceiling, soft daylight is kinder than harsh glare. Go in the morning when the light is even and the climb is cool.

How to reach the Jogimara Caves

You reach Jogimara via Ambikapur, the Surguja district headquarters, then by road to Ramgarh hill and a short walk. According to the Surguja district administration, Ramgarh lies on the Ambikapur–Bilaspur road; the final approach is a spur road up the hill followed by a stone-paved trail to the caves.

By air: the Surguja district site names Darima (Maa Mahamaya) Airport at Ambikapur as the nearest airport. Scheduled services from small airports like this change often, so verify current flights before relying on it; many visitors instead fly to Swami Vivekananda Airport, Raipur (roughly 300–350 km away) and continue by road.

By rail: Ambikapur railway station is the nearest railhead, after which you hire a taxi. Check live train options on IRCTC/NTES before booking, as services to Ambikapur are limited compared with the main Chhattisgarh lines.

By road: from Ambikapur, Ramgarh is reached along the Ambikapur–Bilaspur road; a hired car or taxi is the practical choice, as there is no dedicated tourist shuttle. From the hill base a short trek on a rocky, stone-paved path leads to the caves, so wear comfortable shoes.

Approximate distances to the Jogimara Caves (planning estimate — reconfirm; October 2026)
From To Ramgarh/Jogimara (approx.) Notes
Ambikapur ~45 km Nearest city, railhead and airport; base for the visit
Bilaspur ~180 km On the Ambikapur–Bilaspur road; larger rail junction
Khodri ~5 km Nearest small settlement to the hill
Raipur ~300–350 km Nearest major airport (Swami Vivekananda); long road leg

Treat these distances as planning estimates and confirm with a live map and a local driver before you set out, especially the hill approach.

Things to see and do

The main activity is seeing the Jogimara and Sitabenga caves on Ramgarh hill, best done as a short, unhurried hill walk. Because the site is compact, most visitors pair it with Ambikapur and the wider Surguja circuit to make a full day.

Jogimara and around — what to do (details to confirm on site)
Spot / experience What it is Time needed
Jogimara cave Painted ceiling murals and the five-line Brahmi inscription; view from the platform 30–45 min
Sitabenga cave Adjacent rock-cut, stage-like chamber with benches; a short walk away 20–30 min
Ramgarh hill trail Stone-paved hillside path and viewpoints; part of the Ram Van Gaman circuit 1–2 hours total
Ambikapur town Temples, markets and the district’s urban base Half day

Carry binoculars or a hand lens to pick out faint figures on the ceiling without touching the rock. Never trace, wet or chalk a panel to “bring it out” — that damages pigment that is already more than two thousand years old in part.

A suggested short itinerary

Two days based in Ambikapur is enough to see Jogimara comfortably and take in the surrounding Surguja country. Adjust for season and daylight.

  • Day 1 — Ambikapur: Arrive by train or road. Settle in, see the town, stock up on water and snacks, and arrange a car and, ideally, a guide for the hill the next morning.
  • Day 2 — Ramgarh hill: Early drive to Ramgarh; walk the trail to Jogimara and Sitabenga, viewing the murals and inscription in the cool morning. Return to Ambikapur by midday heat; use the afternoon for a nearby site or an onward hop.

If you have only one day, do Ramgarh at dawn and keep Ambikapur’s indoor sights for the warm middle of the day.

Where to stay

Stay in Ambikapur, where the district’s hotels and guesthouses are concentrated; there is no lodging at Ramgarh hill itself. Book ahead around festivals and local events, when rooms tighten. The ranges below are indicative planning estimates for October 2026 and should be reconfirmed directly.

  • Budget: roughly ₹800–₹1,800 a night for simple guesthouses and basic hotels (indicative — reconfirm).
  • Mid-range: roughly ₹2,000–₹4,000 a night for business-style hotels with a restaurant (indicative — reconfirm).
  • Upper: roughly ₹4,500 and up for the better-equipped properties in town (indicative — reconfirm).

Chhattisgarh Tourism Board (CGTB) runs motels and resorts around the state; check its current listings and tariffs directly, as rates and availability move with season and demand.

Food to try

Eat in Ambikapur, where there are regular eateries; carry water and a snack for the hill, as there is little to buy at Ramgarh. Surguja’s food belongs to the Chhattisgarhi tradition, which leans on rice and local greens.

  • Chila (a savoury rice-and-lentil batter pancake), a common Chhattisgarhi breakfast.
  • Faraa (steamed rice-flour dumplings), often eaten with chutney.
  • Bafauri (steamed gram-flour dumplings with spices), a lighter snack.
  • Dubki kadhi (gram-flour dumplings in a yoghurt-based curry), a home-style staple.

Carry refillable water for the hill walk; on the trail there is no reliable place to buy food or drink.

Budget breakdown

A two-day Ambikapur-based trip to Jogimara is inexpensive, because the site has no known entry fee and the main cost is local transport to and from the hill. The table assumes one person, two days, mid-range choices, and excludes the long-distance fare to Ambikapur.

Indicative per-person budget, 2 days ex-Ambikapur (planning estimate — reconfirm; October 2026)
Item Estimate (₹) Assumption
Accommodation (1 night) 2,000–4,000 Mid-range hotel in Ambikapur
Car/taxi for Ramgarh 1,800–3,500 Half-to-full-day hire; cheaper if shared
Food 500–1,000 Two days, local eateries
Guide (optional) 500–1,500 Local guide for the hill and caves
Rough total 4,800–10,000 Excludes long-distance fare to Ambikapur

These are planning estimates only; confirm live rates before you travel.

Permits, access and rules

No inner-line or special-area permit applies to Surguja district, so Indian and foreign visitors do not need one for the Jogimara Caves. As of October 2026 there is no published ticket counter or entry fee for the caves; Ramgarh is an open hillside monument, so confirm current access, opening times and any photography restrictions locally before you go.

Because the site is a protected ASI monument with fragile, ancient paintings, treat it with museum-grade care: do not touch, wet, chalk or trace the murals or the inscription, do not scratch or add graffiti, and take all litter out. Flash photography can harm pigments; use natural light. For drones or any commercial shoot, confirm current rules with the ASI and the district administration, as India’s drone regulations restrict flying near protected and other zones.

Practical tips

  • Go with a local: a guide or Ambikapur-based driver who knows Ramgarh saves time on the hill and helps you read the faint murals responsibly.
  • Timing: start early; the open hillside heats up quickly for much of the year.
  • Footing: wear grippy shoes; the stone-paved trail and rock steps are uneven and slick after rain.
  • Money and network: draw cash in Ambikapur; UPI works in town, but carry some notes for the trip out, where coverage and ATMs thin out.
  • Health: Ambikapur has the district hospital and private clinics; the hill has no facilities, so carry water, sun cover and a basic kit.
  • Solo women: Ambikapur is a regular district town; for the quiet hill walk, going with a known local guide or a small group is the sensible, comfortable choice.
  • Packing: sun hat and water in all seasons; a warm layer for December–January mornings; binoculars or a hand lens for the ceiling.

Nearby places

Jogimara pairs naturally with the rest of Surguja and northern Chhattisgarh, so build a short loop from Ambikapur rather than a single out-and-back. Distances below are planning estimates; our Chhattisgarh travel guide sets these in a wider route.

Nearby places from Ambikapur (distances are planning estimates — reconfirm)
Place Distance from Ambikapur (approx.) Why go
Sitabenga cave ~45 km (same hill) The adjacent stage-like rock-cut chamber, visited with Jogimara
Mainpat ~70–75 km Hill plateau with a Tibetan settlement and viewpoints
Tatapani ~75 km Hot springs site in Balrampur district
Deogarh / Surguja heritage spots Varies Rock and temple sites around the district; confirm routes locally

Frequently asked questions

Where exactly are the Jogimara Caves?

The Jogimara Caves are on the north face of Ramgarh hill, near Puta village in Surguja district, Chhattisgarh, about 45 km from Ambikapur on the Ambikapur–Bilaspur road. They form one of two linked caves on the hill, alongside Sitabenga, reached by a short stone-paved trail. The ASI protects the site as monument N-CT-38.

How old are the Jogimara paintings and inscription?

The five-line Brahmi inscription is dated on palaeographic grounds to about the 3rd century BCE, per Richard Salomon’s analysis. The earliest ceiling paintings are usually placed in roughly the same era, from the 3rd to the 1st century BCE, with a later repainting much afterwards. Exact dates are debated, so treat any single figure as scholarly estimate.

What does the Jogimara inscription say?

Its meaning is disputed. Theodore Bloch read it as a personal record naming Sutanuka and Devadinna, and it is often cited as the oldest use of the word “devadasi.” Later scholars offer different translations, and most caution that “devadasi” is likely a name here, with no proven link to temple dance. Read it as contested, not settled.

Is Jogimara the same as the oldest theatre cave?

No. The “oldest theatre” claim relates to the neighbouring Sitabenga cave, a stage-like rock-cut chamber with benches, and even that identification is disputed by some scholars. Jogimara is the separate painted cave on the same hill, known for its murals and Brahmi inscription. Both are distinct ASI monuments on Ramgarh hill.

Do I need a permit or ticket to visit the Jogimara Caves?

No special permit is needed, as Surguja has no inner-line restrictions for Indian or foreign visitors. As of October 2026 there is no published entry fee or ticket counter for the caves; it is an open hillside ASI monument. Confirm current access, timings and photography rules locally, and never touch or flash the fragile paintings.

How do I reach Jogimara from outside Chhattisgarh?

Travel via Ambikapur, the nearest city and railhead. Many visitors fly into Swami Vivekananda Airport, Raipur (around 300–350 km away) and drive; the small Darima airport at Ambikapur has changeable services, so verify flights first. From Ambikapur, hire a car to Ramgarh hill, then walk the short trail to the caves.

Last updated and sources

Go if early Indian art, epigraphy and quiet heritage appeal to you, and you are happy to travel with a local guide and reconfirm the hill approach. The cool, dry months from October to February are the time to do it.

Last updated: 31 October 2026. Fees, timings and permits change — reconfirm with official sources before you travel.

Sources: ASI list of Monuments of National Importance in Chhattisgarh (Jogimara N-CT-38 and Sita Bengra N-CT-37, Ramgarh hill, Raipur Circle); Wikipedia, Jogimara and Sitabenga Caves (location, dimensions, inscription, murals, scholarship — with cited primary sources); Surguja district administration (Ramgarh location and how to reach); Puratattva (survey history, inscription translations, painting pigments and phases). Underlying primary and academic references include T. Bloch, ASI Annual Report 1903–04; J. D. Beglar’s survey (1874–76); Richard Salomon, Indian Epigraphy (1998); and Asit Kumar Haldar’s ASI copies of the murals. Accessed October 2026.

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The Invincible Indiahttps://www.theinvincibleindia.in
The Invincible India is a digital magazine celebrating the spirit of India — covering national news, culture and heritage, travel, festivals, startups and inspiring people, with a special focus on Udaipur and Rajasthan. Our team brings readers stories that showcase an incredible and invincible India.
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